Description
#hystericalloveproject #vinyl #vinylrecords
Hysterical Love Project’s latest album has swiftly cemented itself as a modern dreampop gem, blending elements of trip hop, shoegaze, and Balearic downbeats into a lush, atmospheric soundscape. With the highly anticipated vinyl release, this collection of moody, guitar-shimmered tracks is poised to become a staple for lovers of introspective, late-night music. Pairing the talents of Kiwi producer Ike Zwanikken with the ethereal vocals of Brooklyn Mellar, the album drifts through a spectrum of emotions, from heartache to quiet euphoria, creating a listening experience that is both immersive and deeply moving.
Tracks like “Oil Slicks (Song For The Spirals)” capture the essence of 90s-inspired rhythms akin to the work of Kruder & Dorfmeister, offering a melancholic, downtempo reflection perfect for late-night introspection. The hauntingly beautiful “I Hope I See Some Of My Haters Out Tonight” casts a spell with its moonlit melodies, while “Your Laugh As My Ringtone” digs deep into the psyche with its evocative, melancholic riffs. Each track is meticulously crafted, with Mellar’s angelic vocals weaving seamlessly into Zwanikken’s grainy pads and intricate production, evoking the dreamy atmospheres of artists like HTRK and Dubstar.
The album’s standout moments, such as the slow-motion acidic lather of “Ionian Sea” and the wind-tunnel motion of “Boyracer,” showcase Hysterical Love Project’s ability to straddle the line between nostalgia and innovation. Their sound resonates with the same hypnotic allure as Ulla’s minimalist compositions, yet carries the emotional depth of classic trip-hop records. “Come 2 Me, My Baby” and “Sever/Strike” are particularly reminiscent of HTRK’s brooding style, while the weightless strum of “Lavender” demonstrates the duo’s prowess in captivating listeners even in the absence of beats.
As this album finally graces vinyl, it’s clear that Hysterical Love Project has crafted something timeless—a sonic journey that not only nods to the past but also sets the stage for future explorations in dreampop and downtempo music. For fans of introspective, late-night listening, this album is nothing short of essential.
