Description
#ilpoväisänen #vinyl #vinylrecords
Born in Kuopio in 1963, Ilpo Väisänen has undeniably carved out an inimitable niche in the realm of experimental electronica. A well-celebrated stalwart in the genre, Väisänen is widely revered for the unique soundscape he cultivated as part of the famed outfit, Pan Sonic. His first venture into the musical arts began in Turku during the mid-1980s, where he forayed into various artistic disciplines, eventually finding his distinctive voice in the auditory arts.
Doubling down on his ample talent, Väisänen adopted various creative pseudonyms, including I-LP-O In Dub, I-LP-ON, Liima, and Piiri. These varied facades allowed him to explore diverse sonic realms, each encapsulating a semblance of his musical brilliance. Over time, his enduring partnership with fellow artist Mika Vainio culminated in the formation of Pan Sonic in 1993, amidst a vibrant electronic music scene.
The year 2001 remains a significant milepost in Väisänen’s illustrious career, marking the moment when his solo oeuvre “Asuma” was unveiled to the world. With Asuma, Väisänen deviated from overtly complex musical structures, instead opting for a minimalistic approach that was refreshingly unique and surprisingly haunting. Much like the esoteric compositions by the likes of Brian Eno or Aphex Twin, Asuma is a triumph in the realm of experimental music. The lethargic rhythms and unconventional sounds create an abstract tableau, akin to tracing the shape of sounds that are yet to be birthed.
Linking up with Dirk Dresselhaus in 2002, Väisänen embarked on a new project known as Angel, later rechristened as Die Angel. Their sound straddled the boundaries of industrial music, minimal music, and noise music, underlining Väisänen’s remarkable range and adaptability. Closer to the end of 2010, Pan Sonic’s long and successful run began to wind down, with Väisänen and Vainio announcing a hiatus. Yet, the eminent Finn chose to persist, as he continued to push the boundaries of electronic music inclusion in various projects and collaborations.
Väisänen’s “Asuma,” reissued by Editions Mego label in 2017, masterfully painted a stark aural landscape, teeming with harsh yet captivating sound artifacts, creating an almost palpable sense of void. Each track seemed shrouded in ambiguity, nudging the listener’s cognitive faculties to fill in the blanks, resulting in a uniquely personal listening experience.
As a poignant tribute to his departed friend and collaborator Mika Vainio, Väisänen released “Äänet” in 2018 under the moniker Ilpo in Dub. His recent outing in 2022, titled “Keskipäivän Hetken Sumea Vaillinaisuus,” is an intentional response to the ongoing events in Ukraine, further cementing Väisänen as not only an exemplary musician but also a conscientious global citizen. Väisänen’s discography expands further than the eye can see, becoming an essential part of the modern auditory lexicon, reflecting his unwavering commitment to the exploration and expansion of sound.
