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Indie rock and dance-punk genres got a different breed in 2002, known by the name of LCD Soundsystem, courtesy of the versatile James Murphy. The Brooklyn-based band pushes bounds, that they brought to the fore in their self-titled album, ‘LCD Soundsystem’, released in 2005.
LCD Soundsystem grew from the seeds of multiple high-impact singles, with the first banner flying high with the release of “Losing My Edge.” A catchy tune underscored the concerns of a maturing music lover grappling with the youthful wave rising steadily from behind. This evocative foundation amplified with “Yeah,” taking over the dance floor with disco beats. Culminating this spectacular journey was the release of “Daft Punk is Playing at My House,” a avant-garde anthem gripping the indie music landscape, foreshadowing Daft Punk’s legendary Coachella performance by a year. It was as though Murphy could fathom the ebbs and flows of upcoming trends, making the much-acclaimed album a trendsetter of the era.
Despite the outstanding triumph of LCD Soundsystem’s singles, broader assessment regarded “Great Release” as the pinnacle of the album, etching its place in the annals of Ambient Pop. LCD firmly establishes its worth with numbers like “Disco Infiltrator”, maintaining a raw, bare-basic LCD beat. Yet, amidst the dance and house-centric tunes, the album explores an emotional range, as is evident in “Never As Tired As When I’m Waking Up”, evoking emotional surges akin to music from ‘White Album Beatles’ and ‘Dark Side Floyd’. “Too Much Love,” presents an alluring imitation of the Talking Heads, displaying Murphy’s masterful versatility.
When James Murphy met the ingenious Tim Goldsworthy, a silent co-founder of the ultra-cool UK imprint Mo’ Wax, the story of LCD Soundsystem took an exciting turn. The duo cultivated a retro disco-meets-post-punk sound that revolutionized the New York scene. Riding this wave, they released a genre-defining dance-punk classic, “House of Jealous Lovers,” by The Rapture, attracting several upcoming artists. No one encapsulates the LCD’s spirit better than Murphy who started creating music under the LCD Soundsystem banner. The 2005 self-titled debut is a testament to that – a mix of disco beats, indie sleaze anthems, and unexpected hits.
LCD Soundsystem was a sensation in the making from the early 2000s. It gained the acclaim of critics everywhere and even earned a Grammy Award nomination for Best Electronic/Dance Album. This was a result of the incredible success of the hit “Daft Punk Is Playing at My House,” deserving a Grammy nomination itself for Best Dance Recording. Moreover, LCD Soundsystem’s success wasn’t limited to the 2005 debut. They made their entry into the Top-ten charts of the US, with their third studio album, ‘This Is Happening.’ LCD Soundsystem’s influence over the decade was indeed transformative, injecting the music scene with its unique sound and style.
It’s impossible to talk about the revolutionary sound of LCD Soundsystem without naming some of their contemporaries in the genre like Hot Chip and N.E.R.D. Murphy’s association with Hot Chip is especially significant as he helped usher in their success with the debut of their 2006 breakout album, ‘The Warning’. Couple this with collaborations with other indie icons like Le Tigre and DFA records, it’s no wonder LCD Soundsystem’s 2005 self-titled debut continues to resonate among music enthusiasts even today.
