Unveiling Emotions in Sound: Lucrecia Dalt and her Landmark Release – A Danger to Ourselves
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The accomplished Berlin-based Colombian artist Lucrecia Dalt who made remarkable strides in contemporary music since her departure from civil engineering brings a new candid album to the world in 2025 titled “A Danger to Ourselves”. Notably, the album signifies a remarkable turning point that emanates from Dalt’s real-life experiences rather than the character-based narratives and inter-galactic explorations of her previous works. The shift to a more sincere narrative was born out of the artist’s personal notes written during tours and the start of a new relationship, which later were skillfully transformed into hauntingly beautiful compositions.
Dalt’s journey wasn’t limited to personal experiences. Her exceptional progress in the intricately sound-oriented world of music made visible waves across the world music industry. Her increasing sound sophistication was evident with the release of her early solo masterpieces, Commotus and Syzygy, which saw light under Human Ear Music. Her sonic experimentation became more refined with her next stand-out album ‘Ou’, released by Care of Editions. Being part of RVNG Intl., she released a thought-provoking trilogy of works- Anticlines, No era sólida, and ¡Ay!, all three challenged as well as expanded her sound manipulation capabilities. The eminent magazine The Wire lauded her ¡Ay! album as the year’s best album and with it, she was also featured in the top ten of many renowned mediums such as Pitchfork, New York Times, and NPR.
However, Dalt’s work was never confined to just studio albums. She also took exciting plunge into television series and films, curating original scores and bringing her unique sound designs to different narrative setups. Her movie cred falls under the critically acclaimed HBO series “The Baby”, “On Becoming a Guinea Fowl” and the soon to be released film “The Rabbit Hole”.
“Melding protagonists and sound: Lucrecia Dalt crafts immersive narratives with ‘A Danger to Ourselves'”
Dalt’s new album ‘A Danger to Ourselves’ is undeniably personal and challenging than her previous works. Vibrant collaborations attract listeners’ attention to the album. The album features the spectacular David Sylvian who plays co-producer and guitarist on a few tracks. Other impressive contributions came from vocalists such as Juana Molina, Camille Mandoki, and Eliana Joy. Additionally, the instrumental landscape was reimagined by Cyrus Campbell and Chris Jonas. Working with collaborator Alex Lázaro, the duo managed to create pieces that emanated musicality through the layers of bass lines, beats, and textural nuances.
Dalt strived for innovative clarity by eschewing lo-fi approaches and welcomed enhanced nuances where voice and instruments emerged with more remarkable presence. The choice of the album title, borrowed from Sylvian’s lyrics from “cosa rara”, encapsulates life’s fragility, love’s variances, and the yearning for liberation from everyday patterns to more profound inner experiences.
“‘A Danger to Ourselves’- A Musical Palette Touching the Depths of Human Connection”
‘Sound’ has always been at the forefront of Dalt’s artistic path. She truly encapsulated the myriad complexities of human connections in her album “A Danger to Ourselves”. The album feels vastly personal, with Dalt’s fearless voice leading the charge, supported by a rich array of acoustic orchestration and patterns, all woven together by an admired set of collaborators.
A defining feature of ‘A Danger to Ourselves’ is it’s musicality generated through a play of bass lines, rhythms, and sound design rather than conventional melodic structures. This approach reifies Dalt’s uncompromising pursuit for sonic transparency. The bold production choices and multifaceted recording techniques act as a harmonious platform for voice and instrument to blossom.
The album encapsulates Dalt’s poetic instincts. Her lyrics function as odes—like those of Sharon Olds—a testament to her dedication to transforming beats into meaningful narratives. Thus, ‘A Danger to Ourselves’ stands as a mirror to a more profound internal reality, a moment of fragile humanness condensed into an album.
In essence, ‘A Danger to Ourselves’ is a testimony to Lucrecia Dalt’s staggering growth as an artist. It signifies a moment where her previous explorations blend into something strikingly intimate yet broad – a mental picture painted with the vast palette of emotional revelations that propel her music to a realm where it becomes both a window and a reflection.
Learn more about Lucrecia Dalt