Description
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The thematic concept of “Home”, the fifth album from artist Ziúr, transcends more than just being a place of residence. Released in 2025, this album gives a profound insight into the versatile definitions of home, the places where we originate from, belong, and receive nourishment. Through her music, Ziúr delves into her unique portrayal of home while acknowledging the distinct interpretations of others within her diverse community. Remarkably, the album represents her endeavor to explore her German identity, which she previously felt disconnected from due to her detachment from the country’s culture, language, and politics.
Ziúr presents a novel narrative in the face of Germany’s evolving national identity and intensifying political conditions in 2025, which was under siege from all sides — far-right fringe groups, moderates gripped by fear, and those focused on personal gain or blinded by comfort. Steering the spotlight towards growth and progress, Ziúr bares her soul in “Home,” writing and singing in German for the first time, symbolizing acceptance and admission of her inherent German-ness despite her past reservations.
Known for her standout work in Berlin’s nightlife, Ziúr’s music refuses to fit into a box. Having dabbled in singing, playing the guitar and drums, she defies easy categorization and manages to distill into electronic music with no conventions or regard for genres trademarked to her. Her acclaimed album “ATØ” released in 2019 reintroduced the song-centric approach, where her voice warped around an undulating electronic landscape. In her album “Home,” she advanced this technique, transforming abstracted pop forms into clouds of digital euphoria and extracting unexpected instrumental flourishes amid distorted rhythms. The album symbolized a pulsating organic world entirely of Ziúr’s shaping, where electronic and acoustic sounds blend seamlessly.
The inaugural track of the album “Home” called “Brown is the Color” sets the tone, where measured singing in sync with noisy synth oscillations and grim piano embellishments introduce a refreshing departure from Ziúr’s earlier album releases. This album pays homage to Ziúr’s oldest and most cherished musical inspirations, presenting an intimate and honest reflection of her experiences and emotions to her listeners.
Another track, “Im Bann Der Wehenden Fahnen,” represents Ziúr’s first endeavor into German lyrics, addressing the nation’s complex political orientation, its intricately knitted past, and a dangerously dualistic present. This song illustrated her complex relationship with Germany, rendered beautifully in her mother tongue. Her openness ensures that the record carries a distinctive personal aura, whether she is voicing brutal truths over disrupted orchestral elements in “Through the Trees.”
Ziúr’s fifth album, “Home,” demonstrates the artist’s ability to construct a personal space through music, where complexities are embraced, demons are addressed, and comfort is truly found. Highlighting her evolving relationship with her sense of ‘home,’ Ziúr offers us a fresh perspective while also promising to shake up musical landscapes going forward.
