Description
The release of Wiretaps For Oral marks a compelling chapter in the oeuvre of Saint Abdullah and Jason Nazary, presenting their second collaborative album slated for October 23, 2025, via the independent label Disciples. This project continues to explore a rich tapestry of electronic, experimental, and jazz-inflected soundscapes, blending elements of noise and electronica with a distinctively improvisational edge. Emerging from an Iranian-Canadian and jazz-drummer partnership, the album is a continuation from their 2023 predecessor Evicted In The Morning, advancing their shared vision by weaving avant-garde textures with free jazz rhythms and Sufi chant motifs, cultivated through a process that emphasizes sampling, collage, and spontaneous creation.
The sonic architecture of Wiretaps For Oral is notable for its immersive atmosphere where dense layers of sound interlace with subtle improvisations, inviting comparison with artists who navigate similarly boundary-pushing territories. The evocative qualities present might resonate with listeners familiar with the experimental jazz approaches of contemporaries such as Shabaka Hutchings or the textured electronic explorations found in the works of artists like Teebs. Meanwhile, the strategic incorporation of noise elements and free-form structures recalls the exploratory spirit of figures operating at the intersection of jazz and electronic experimentalism, evoking a milieu shared by musicians like Makaya McCraven or the ethereal productions seen in the catalog of labels such as Erased Tapes.
Disciples, the London and Los Angeles-based independent label known predominantly for bass music and electronic releases, now expands its palette with this intriguing album, demonstrating its openness to experimental jazz-infused projects. The label’s reputation for nurturing innovative music within underground electronic scenes lends an important platform for this release, which offers both vinyl and digital editions. Notably, the album’s limited vinyl edition is capped at 500 copies, underscoring its appeal to collectors and connoisseurs who value tangible formats that act as artifacts of a distinct moment within the evolving dialogue of contemporary experimental music.
The collaborative nature of the album is further deepened by contributions from guest musicians Patrick Shiroishi and Ryan Easter, whose inputs add further texture and nuance to the sound world Saint Abdullah and Nazary have crafted. These collaborations enhance the record’s fluid interplay between programmed elements and live instrumentation, enriching the album’s palette with additional layers that emphasize collective improvisation and sonic experimentation. The intricate compositions, such as “Fingerprints, Photographs, and Biographical Information” and the title track “Wiretap For Oral,” exemplify this blend of meticulous production and spontaneous interplay, reinforcing the album’s standing within a lineage of contemporary exploratory jazz and electronic fusion.
The eight-track lineup offers a varied yet cohesive journey, with each piece reflecting the duo’s continuous effort to push beyond conventional genre boundaries. Themes of relation, presence, and mediation surface throughout, navigating through tracks like “Lost In Your Neck” and “Strangers At The Gun Range,” where atmospheric density meets rhythmic complexity. This approach situates the album in a creative space where experimental music enthusiasts—particularly those drawn to the intersections of noise, electronica, and jazz—will find compelling material. Listeners and vinyl collectors who track the trajectories of artists like Jason Nazary or the broader scene spearheaded by labels engaged with experimental jazz and electronic music will find Wiretaps For Oral a noteworthy document of cutting-edge collaboration.
This release enriches the artistic narrative of Saint Abdullah and Jason Nazary, who continue to navigate and redefine the thresholds between improvisation and production, cultural heritage, and sonic innovation. The album encapsulates a period of intense creative dialogue, offering a nuanced and layered auditory experience well-suited to both vinyl enthusiasts and those engaged with the vibrant experimental music landscape emerging from independent labels and forward-thinking artists.
