Crafting Intricate Soundscapes with “Falling”: A Deep Dive into Composer McKenzie Stubbert’s Debut Album “Waiting Room”

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Los Angeles-based composer McKenzie Stubbert is making waves in the music industry with his upcoming debut album, “Waiting Room,” set to release on the acclaimed label Curious Music. Stubbert’s unique fusion of new classical and electronic elements, coupled with his experimental approach to music composition, creates a captivating and thought-provoking musical experience that has garnered attention from industry professionals and music enthusiasts alike.

One of the standout tracks from the forthcoming album is “Falling,” a composition that enthralls listeners with its delicate piano melodies and ethereal bell-like tones. The incorporation of noise elements within the piano adds a touch of mechanical ambiance, transporting the audience to a reflective sonic space. With a cinematic quality and hints of improvisation, “Falling” pays homage to the renowned Erik Satie while introducing darker elements that lend an intriguing layer of complexity to the overall musical journey.

Curious Music’s association with luminaries such as Harold Budd and Hans-Joachim Roedelius serves as a testament to Stubbert’s talent and ability to craft textured compositions that captivate listeners. “Waiting Room” promises to be an exploration of the artist’s personal ethos, showcased through his toybox tinkering neo-classical style.

Beyond his album production endeavors, McKenzie Stubbert has also garnered acclaim as an Emmy-nominated and AMP Award-winning composer. His contributions to the world of scoring extend to notable VR films, collaborating with industry figures like Chris Milk, Annapurna Pictures, Within, and Here Be Dragons. Through groundbreaking VR experiences such as “Evolution of Verse,” “Clouds Over Sidra,” and “Life of Us,” Stubbert skillfully merges classical and electronic elements, delving into themes of frustration and introspection that shape his unique sonic landscape.

Stubbert’s style is reminiscent of contemporaries such as Max Richter and Ólafur Arnalds, who have similarly explored the intersection of classical and electronic music. His experimental approach offers a refreshing twist to the genre, showcasing his willingness to push boundaries and his innate ability to create intricate soundscapes that transport listeners to new sonic dimensions.

With the release of “Waiting Room,” McKenzie Stubbert is poised to make his mark in the music industry as a composer and artist to watch. His style, which effortlessly combines classical and electronic elements, promises to offer a unique listening experience that will captivate music lovers worldwide.