Exploring the Ethereal World of Alabaster Deplume
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Angus Fairbairn, who aptly performs under the mystical pseudonym Alabaster Deplume, proves that defining music within strict boundaries often falls short in capturing its essence. A product of Manchester’s rich sonic history, yet rooted in London’s eclectic milieu, Fairbairn’s unique blend of chamber music, post-punk, lo-fi Afrobeat, avant-garde folk, and idiosyncratic English temperament defies easy categorization.
Watching the self-taught saxophonist play is an experience in itself. With his tenor sax angled peculiarly from the side of his mouth, Fairbairn’s breathy tones, elementary phrases, and understated flourishes mesmerize. However, the saxophone is only a part of his vast soundscape. Whether it’s Robert Wyatt-inspired spoken-word episodes or whimsical mantras, Fairbairn’s vocal ventures are just as spellbinding.
The artistry of “Gold,” Fairbairn’s previous album, was an exercise in meticulous planning. Switching between multiple line-ups during post-production, he blended and juxtaposed these recordings, taking listeners on a unique auditory journey. In contrast, his forthcoming album, “Come With Fierce Grace,” plunges into the more unrestrained, spontaneous aspects of those sessions.
Hints of African inspiration shine through, especially when Falle Nioke, the Guinean musician, marries his vocals with Sarathy Korwar’s percussion. The experimental tones of tracks like “To That Voice and Say” and “Greek Honey Stick” showcase the genius interplay between Fairbairn and his accompanying musicians. And when “Naked Like Water” unfolds, the serenity of Donna Thompson’s voice, paired with the West African funk rhythm, is nothing short of sublime.
September promises to be an exciting month for avant-garde aficionados. From Naoka Sakata’s mesmerizing piano improvisations in “Infinity” to Hearsay’s mind-bending amalgamation of drone, free improvisation, and turntable artistry in “Glossolalia”, the boundaries of conventional music are being stretched. Meanwhile, Sam Eastman’s intriguing dive into the vast “Bagatelles” universe, courtesy of a commission from John Zorn, amalgamates a rich tapestry of musical influences, resulting in a captivating auditory masterpiece.
Whether it’s the soul-soothing notes of Alabaster Deplume or the entrancing concoctions of other avant-garde artists, September is set to be a treat for the ears. It’s an invitation to explore music beyond the known and dive into the depths of sound that remain uncharted. Don’t miss “Come With Fierce Grace,” out on 8th September, and let your senses embark on a journey like never before.
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