Fleur De Lys: An Uncovered Gem of 1966’s Psychedelic Beat
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Renowned for their innovative transition from Beat to psychedelic music, the Fleur De Lys, originally referred to as Les Fleur de Lys, emerged from the fertile music soils of Southampton, Hampshire, England in the latter part of 1964. Mastering in the musical genre, later classified as freakbeat, the individualistic band underwent constant changes in its line-up, remaining solely consistent with drummer Keith Guster during their musical journey that ended in 1969.
Their undeniable mastery was exhibited in their 1966 opening at Polydor. Their outstanding 45 led by ‘Mud In Your Eye’, backed by a reinvented version of The Impressions ‘I’ve Been Trying’ was a breathtaking display of their love for music. Oozing influence from The Who, the A-side offered a scintillating masterpiece, complete with a breakbeat rhythm that should grace every collection. Moreover, their rendition of the Curtis Mayfield ballad incorporated an unhurried delivery coupled with an almost trip-hop beat, culminating in an exceptional interpretation emblematic of the original mod era.
The Atlantic Records management played an instrumental role in shooting Fleur De Lys to fame. Frank Fenter, an Atlantic Records magnate who introduced us to Sharon Tandy, managed Fleur De Lys. Howard Conder, the manager for Sweet Feeling’s saw the potential in these young talents and gave them the opportunity to shine by recording the song “Reflections of Charles Brown,” under the pseudonym Rupert’s People. This single was heavily influenced by Procol Harum’s “A Whiter Shade of Pale”.
A notable showcase of their work was issued in 1996 under the name Reflections. Notably, their unique talent and style detached them from the crowd to collaborate with significant artists. Keyboardist Pete Sears, for instance, became part of Sam Gopal Dream, and worked with Rod Stewart, among others, later joining Jefferson Starship, and collaborating with Hot Tuna.
In 1966, the band made a landmark collaboration with Chas Chandler and Jimi Hendrix, creating a rendition of “Amen”. This collaboration resulted in their appearance on Hip Young Guitar Slinger and other compilations of British sixties rock. They also had the privilege of backing John Bromley on his only album, a collaboration demonstrating their versatility.
Celebrating a decade-long relationship with Acid Jazz and Countdown, this revered band rewarded its fan base with the release of a 300 limited edition 7” on Countdown Mod Classics. Pressed in cool white vinyl, with monochrome labels and house bag, this was an affirming musical statement of their standing. The Fleur De Lys’s legacy continues, with their unique and significant influence on the psychedelic era still fondly remembered, and their significant recordings cherished by fervent fans and collectors alike.
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