Bendik Giske is a Norwegian saxophonist and electronic artist who has garnered attention for his unique blend of experimental jazz and electronic music. With his innovative approach to saxophone playing and boundary-pushing soundscapes, Giske has established himself as an exciting and distinctive voice in the contemporary music scene.

Giske’s music is characterized by its immersive and hypnotic qualities. He often incorporates extended saxophone techniques, layering his playing with electronic effects and processing to create atmospheric and textural compositions. His soundscapes range from ethereal and introspective to pulsating and rhythmic, blurring the lines between acoustic and electronic elements.

Giske gained significant recognition for his debut album, “Surrender,” released in 2019. The album showcases his ability to seamlessly merge acoustic saxophone sounds with electronic production, resulting in a captivating sonic journey that pushes the boundaries of traditional jazz and electronic music.

Known for his captivating live performances, Giske combines his saxophone skills with live electronic manipulation, creating an immersive and dynamic experience for the audience. His performances blur the boundaries between improvisation and composition, resulting in unique and ever-evolving sonic landscapes.

Beyond his solo work, Giske has collaborated with various artists, including experimental electronic duo Golden Retriever and composer Susanna Gartmayer. These collaborations have allowed him to explore new sonic territories and push the boundaries of his own musical expression.

Bendik Giske’s work represents a fusion of genres and styles, bridging the gap between jazz, electronic, and experimental music. His fearless approach to music-making and his ability to challenge conventions have garnered him critical acclaim and a dedicated following. With his innovative sound and boundary-pushing compositions, Giske continues to push the envelope of what is possible in the intersection of jazz and electronic music.