Electronic Music

Electronic music is a broad category of music that relies primarily on electronic instruments, electronic sound generation, and digital or analog processing. Its roots trace back to the early 20th century with experimental innovators such as Luigi Russolo, whose futurist ideas helped shape early thinking about electronically produced sound. The first pioneering instruments—including the Theremin, the Ondes Martenot, and the Trautonium—introduced new timbres that would influence composers and researchers for decades.

After World War II, the development of magnetic tape revolutionized the field, enabling the rise of musique concrète in France under Pierre Schaeffer, and fostering electronic studios in Germany where Karlheinz Stockhausen became one of the most influential early figures. Parallel innovations occurred in the United States, notably at the Columbia-Princeton Electronic Music Center, with leading composers such as Milton Babbitt, and early computer-music research at Bell Labs with figures like Max Mathews.

The 1960s and 1970s saw electronic music expand beyond academia with the introduction of modular synthesizers by Robert Moog and Don Buchla, which shaped new performance practices and paved the way for electronic pop and experimental scenes. Artists such as Wendy Carlos, with “Switched-On Bach,” brought synthesizers into mainstream awareness, while groups like Kraftwerk defined the aesthetics of electronic minimalism, sequencing, and machine-driven rhythms that would later influence techno, house, and electro.

As electronic instruments became more accessible, new subgenres emerged across the world. Ambient music was popularized by Brian Eno, while disco and electronic funk integrated synthesizers and drum machines into dance culture. In the 1980s, the Roland TR-808 and 909 helped shape early house music in Chicago, techno in Detroit, and electro scenes inspired by artists like Afrika Bambaataa. The United Kingdom contributed to the rise of drum and bass, garage, and jungle, expanding the rhythmic and cultural diversity of the genre.

Throughout the late 20th and early 21st centuries, electronic music became a global phenomenon, spawning countless subgenres such as EDM, trance, dubstep, IDM, and synth-pop, each with its own pioneers and stylistic identity. Today, electronic music influences nearly every domain of modern sound—from pop production and underground club movements to academic research and experimental performance—reflecting its long history of innovation, technological evolution, and cultural impact.

  • Efdemin – Poly

  • John Beltran & Placid Angles – Canada

  • MONKYMAN – What About Love

  • Nathan Fake – Evaporator

  • Stenny – Sharp Fragments

  • Om Unit – Acid Dub Versions III

  • Apparat – A Hum Of Maybe

  • Mandy, Indiana – URGH

  • Karizma – Can’t Call !t

  • Amon Tobin – Nomark Selects, Vol. 2

  • Powell – We Do Recover

  • Max Cooper & Rob Clouth – 8 Billion Realities

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