Description
#beverlyglenn-copeland #vinyl #vinylrecords
Beverly Glenn-Copeland, a folk-jazz singer from the ’70s who later became a new age visionary, is bringing back a hidden gem from 2004. This second pressing of “Primal Prayer” manages to encompass a wide range of influences, drawing from the queer operatics of Anohni and the theatrics of Kate Bush, while also evoking the expansive worldview of László Hortobágyi, the ’90s vibes of Massive Attack, and even the nostalgic soundtracks of children’s TV shows.
“Primal Prayer” showcases the diversity and emotional depth that has been present throughout Beverly Glenn-Copeland’s extensive catalog over the past five decades. Since the reissue of his 1986 album “…Keyboard Fantasies” in 2016, it has become increasingly clear that the world has been sleeping on an incredible talent. With each new archival release, including the recent recordings of “The Ones Ahead”, this realization has only grown stronger.
Although “Primal Prayer” was initially released under the alias Phynix in 2004, it is now recognized as a significant part of Beverly Glenn-Copeland’s body of work. This album effortlessly bridges the worlds of ’80s new wave and new age music, incorporating elements of ’90s trip hop reminiscent of Massive Attack. In hindsight, this blending of styles may have seemed out of place with the trends of 2004, but it now possesses a strangely alluring quality that transcends time.
The album opens with the enchanting fusion of ’80s soul, Afro rhythms, and soaring opera vocals in “La Vota”, laying the foundation for the fantastical journey ahead. From there, the album takes listeners on a sonic adventure, exploring everything from moody and majestic compositions like “Back to Bachland” to the hypnotic thumb piano sounds of “On the Road”. “Primal Prayer” showcases its versatility with the soulful gospel vibes of “This Side of Grace” and a captivating utilization of the Apache break that transports listeners back to the colorful world of ’90s children’s TV shows with “In The Image” (a fitting inclusion considering Beverly’s 25-year stint on Canadian kids TV!). Rhythm also plays a pivotal role in the album, evident in the mesmerizing tabla breaks of the title track. The album comes to a stunning close with the beatdown beauty of “Between The Veils” and “A Song and Many Moons”, reminiscent of the artistry of Kate Bush and Peter Gabriel.
Overall, “Primal Prayer” is a testament to Beverly Glenn-Copeland’s artistic vision and unique approach to blending genres and time periods. It is a rediscovered gem that deserves wider recognition, encapsulating the spirit of playfulness that has been present throughout his career. With its eclectic mix of influences and emotionally resonant compositions, “Primal Prayer” is a must-listen for fans of Anohni, Kate Bush, László Hortobágyi, Massive Attack, and anyone looking for a musical experience that transcends boundaries and transports listeners to a world of wonder.
