Description
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With his newest musical rollercoaster, Etch shows the audacity of his record-making prowess. His 2024 sonic creation, “Scream of the Butterfly”, blends a flavourful mix of multiple musical influences- dubstep, jungle, garage and hip-hop. This musical ride orchestrated by the Brighton-born artist isn’t just a serenade for the dancefloor but a piece of monumental sound engineering. Enhanced by enriching lyrical contributions from his cavalcade of guests, the album ventures into tunefully darker corners of club music.
“Scream of the Butterfly” stands out as an imaginative journey across the soundscape of electronica. The ecstasy begins with a floor-shaking bass rhythm that’s a hint of the musical adventure that awaits the listeners. From the zealous footwork of J-Shadow in “Star Fallen” to Lee Scott’s distinctive verse delivery in “Not Surprised”, each track pulls listeners deeper into this sublime exploration of musical nuance.
Curating an ingenious blend of euphony, two UK musical stalwarts Lee Scott and E.M.M.A., further amplify the album’s allure. They grace with their unique artistry the spectral and most intriguing stretch of the album. E.M.M.A.’s hypnotic touch turns “Stepford Lives” into a warbling mirage of ambient sounds. And yes, Etch’s experimentation transcends the borders of conventional bass music.
Etch, born and cultivated in the fertile musical sprouts of Brighton, stamps his mark further in the music-audience’s heart with this album. It is also the latest addition in his association with Sneaker Social Club, the respected music production house. The array of sounds and styles Etch unflinchingly stages on “Scream of the Butterfly” bolsters his reputation as a versatile craftsman with a knack for the unprecedented.
The rhythmic churn of the dance hits like “Halloween Blue”, for instance, abandoning the conventional tuning, beautifully unsettles the listeners. The magical audio ride isn’t limited to bass-throbbing club hits. “Scream of the Butterfly”, named aptly, isn’t just another album. It is a story of a maestro, Etch, who isn’t afraid to turn the familiar sound of club music into an invigorating artistic expression.
Reminiscent in its experimentalism of artists like Skream and Pinch, Etch’s “Scream of the Butterfly” explores new territories in electronic music. It’s an evocative symphony that doesn’t merely entertain; it reverberates in the mind, leaves the listeners dancing in its resonance. This auditory escape is undoubtedly an exemplar of inspired and innovative composition, illuminating Etch’s mastery of contemporary bass music. Therefore, it holds the potential to inspire future artists venturing into this sonic playground just like Etch. It also stands as a testament to the evolving dynamism of modern music and Etch’s inventive audacity.
An entrancing fusion of styles, thoughtful eclecticism, and evocative sound design marks Etch’s 2024 release, “Scream of the Butterfly”, as a cutting-edge creation. With the album, Etch unreservedly asserts his knack for pushing boundaries, establishing new musical norms and crafting richly layered tracks that feed the soul.
As we groove to the beats of “Scream of the Butterfly”, this musical composition is a reminder of the robust narrative power music holds. In an era where artists are constantly transcending genre definitions and trends, Etch brings to the table his signature creative defiance. The album is a vivid reflection of the artist’s technical skills and fearless experimentation. Contributions from established names in the electronica scene like Lee Scott and E.M.M.A. intensify its dynamics and the inherent narrative, encouraging listeners to revisit it repeatedly.
