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Hyroglifics, also known as Matt Harris, embarks on a captivating musical journey in his debut album ‘I’ll Wait, I Guess’. This highly anticipated release takes listeners through 16 tracks that represent his personal experiences of hope and healing. Harris believes that good things come with time, and this album reflects the realities of waiting for something, even during moments of despair.
After dedicating himself to music full-time following his selection for the RBMA 2016 Montreal academy, Hyroglifics has made significant contributions to the industry. His tracks and EPs on labels like Critical Music, 20/20 LDN, Hooversound, and System have garnered attention and praise. ‘I’ll Wait, I Guess’ was written and recorded in Bristol before sessions in London and Los Angeles, where he currently resides. This album represents his most diverse body of work to date, showcasing his versatility as a producer and artist.
Hyroglifics explains, “I really wanted to create something that shows my range as a producer and artist. My taste is always evolving, so it’s hard to pin down a specific ‘sound.’ I enjoy exploring the process of creating hybrids of genres.” The album effortlessly blends various styles, from the detailed drum and bass he is known for to grime, half-time, hip hop, techno, and ambient music.
Despite the diverse genres explored, there is a consistent thread of meticulous sound design and attention to detail throughout the album. Hyroglifics shares, “I like to incorporate texture and natural ambiences into my music to give it a more organic feel. Growing up in the countryside of the South Downs in the south of the UK influenced this approach. I spent a lot of time capturing sounds and ambiences with my field recorder and using them as the basis of tracks or organic layers.”
The album’s first single, “Albany Road,” captures the minimal drum and bass sound and references a road in Bristol where Harris spent significant time. The track was tested at the Critical Music mainstage takeover at Boomtown 2022, and its positive reception encouraged its inclusion on the album. Notable collaborations include “Two For Two,” a bass-heavy drill-influenced track featuring producer Yip Wong (Deft), and “Belief,” which sees NW London wordsmith Feux joining forces with Hyroglifics.
Hyroglifics also formed connections with the Blah Records camp, resulting in collaborations with rising Manchester rapper Black Josh on “Air Max Flow” and Kenyan rapper and videographer Nah Eeto on “Sing To It.” The album showcases Hyroglifics’ ability to work with diverse artists and explore different styles.
The album takes a dynamic turn in its final quarter, delving into experimental tech-step with the title track, buoyant house vibes with “Late Ones,” and percussive techno accompanied by vocal glitches in “Telfar.” ‘I’ll Wait, I Guess’ concludes with the mesmerizing slow-motion funk of “Lacklustre,” where malleable component sounds are pushed to their limits.
Hyroglifics’ debut album ‘I’ll Wait, I Guess’ is a testament to his growth as an artist and his willingness to explore diverse musical territories. The album invites listeners on a journey that combines elements of drum and bass, grime, hip hop, and ambient music, demonstrating Hyroglifics’ ability to craft unique and captivating soundscapes. With its fusion of genres and meticulous production, this album is a testament to the artist’s range and promise for the future.
