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In 2018, Makaya McCraven released his groundbreaking album “Universal Beings,” a double album that significantly impacted the contemporary jazz scene. Known for his unique blend of jazz and hip-hop elements, McCraven showcases his prowess as a drummer, composer, and producer throughout this work. The album represents more than just a collection of tracks; it is a vibrant collaboration featuring an impressive roster of artists from music scenes across cities like New York, London, Chicago, and Los Angeles. This dynamic interplay among talented musicians marks a pivotal moment in McCraven’s career, propelling him into the spotlight as a leading figure in the evolving genre of modern jazz.
Born in Paris in 1983 to a family steeped in musical tradition, McCraven’s early exposure to music came through his father, a jazz drummer, and his mother, a Hungarian singer. Having spent his childhood in Massachusetts, he absorbed various musical influences that would later shape his eclectic style. While he began playing in ensembles and bands from a young age, it was his relocation to Chicago in 2007 that catalyzed his career. The city’s vibrant music scene allowed him to collaborate with notable figures like Kamasi Washington and Jeff Parker, paving the way for his innovative sound.
“Universal Beings” stands out not only for its sonic diversity but also for its intricate production techniques. McCraven, revered for his skillful editing and arrangement, creates a tapestry of sound that reflects the interconnectedness of the global music scene. The album features an astonishing lineup, including musicians such as harpist Brandee Younger and vibraphonist Joel Ross, alongside emerging talents like Nubya Garcia and Shabaka Hutchings. This collection of cross-genre improvisations has earned accolades for its refreshing approach to jazz, drawing comparisons to landmark albums in other genres, such as Dr. Dre’s “The Chronic.”
McCraven’s work exemplifies a new wave of jazz that embraces collaboration and genre-blending, moving away from the traditional confines of the genre. His previous projects, including “In the Moment,” laid the groundwork for this album, as McCraven explored live improvisation and communal musical experiences. With “Universal Beings,” he pushes these concepts further, expertly weaving together the spontaneous energy of live performance with the meticulous arrangement of a studio production.
In addition to its critical acclaim, “Universal Beings” has resonated with audiences, leading to its nomination for the Jazz Journalists Association Awards in 2019, alongside McCraven’s recognition in DownBeat’s Critics Poll as an up-and-coming producer and drummer. His work has forged a new path for artists within the jazz realm, inspiring a host of musicians to explore the creative potential of blending styles, much like contemporaries Kamasi Washington and Thundercat.
With its expansive vision and compelling execution, “Universal Beings” is more than just an album; it is a testament to the evolution of jazz in the 21st century. As McCraven continues to navigate the music landscape, his contributions exert a lasting influence on a generation of artists dedicated to redefining jazz’s boundaries while deeply honoring its roots. The album stands as a celebration of musical collaboration and creativity, solidifying McCraven’s status as a vital force in the modern music scene.
