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In 2025, Matt Berry, the farming soul and psych-inspired musician, is making a triumphant comeback. This time with his latest collection, ‘Heard Noises,’ unfolding a compelling story through exquisite melodies, contemporary takes on classic recording techniques, and luxurious poignant lyrics. This forthcoming album heralds Berry’s return to the music realm, fresh from his groundbreaking projects and continues his relationship with the legendary Acid Jazz Records.
Blending his musical prowess with the magical voice of Kitty Liv, the album’s opening single ‘I Gotta Limit’ exhibits a sharp, pulsating rhythm. Berry’s love for collaboration remains evident with his musical synergy with Eric D Johnson from The Shins, and the Golden Globe awardee, Natasha Lyonne, adds flavor to the musical mix. Crafting an unforgettable tune isn’t new to Berry, but he outdoes himself with these fascinating collaborations, remarkably synthesizing the talents of different artists.
Setting a milestone, this album reintroduces Berry to his first love- music, after four eventful years where he delved into other areas. From producing his coveted Library Music project ‘Simplicity’ to owning an Emmy-nominated role in ‘What We Do In The Shadows,’ Berry never fails to surprise us. Despite his numerous accomplishments, it’s clear that music remains his first love, and his dedication is laid bare in his eighth production with Acid Jazz Records.
Demystifying the upcoming album’s availability, Berry ensures it is well-accessible, throughout digital platforms and vinyl with eye-catching, psychedelic swirl colors. Music enthusiasts who enjoy the vintage touch can also look forward to Acid Jazz-exclusive gatefold sleeves, CDs packed in soft packs, and retro cassette tapes. Binding his passion for music with exceptional production skills, Berry once again allures his audience, playing guitars, bass, keyboards, synthesizers, organs, and even Mellotrons in the album.
Furthermore, Berry’s Heard Noises takes a detour from the whirlwinded trip of British Psych, Freakbeat, Acid Rock, and 60’s pop in his former album, ‘The Blue Elephant’. Veering towards the psychedelia of Californian tunes, Berry’s steadfast knack for space pop, rock, and scaringly beautiful melodies survives, producing an album that embodies Berry’s incredible breadth of music ideas.
Moreover, Berry lands with the neo-progressive drummer, Craig Blundell, and amicable collaborations with Natasha Lyonne of Pokerface. Long-standing music companion, Eric D Johnson, returns with his acoustic guitar, autoharp, and vocals, accompanied by Phil Scraggs on the lap steel guitar and Rose McDermott’s enigmatic voice. Lastly, not forgetting the S. Club 60s Choir featuring Berry’s mother adding one more twist to this captivating sonic journey.
‘Heard Noises’ serves as a reflection of Matt Berry’s wide-ranging musical ideas gathered over the years. It’s not just an album; it’s a blend of experiences, unique lyrics, and an amalgamation of psychedelic melodies sketched over California’s landscapes. Mark your calendars for its release on January 24, 2025, as the maestro returns to sweep you off your feet.
The importance of Acid Jazz Records in Berry’s journey can’t be understated. Considered the heartbeat of the acid-jazz subgenre, this East London-based record label has been the platform that propelled Berry’s illustrious career in music. Helmed by Gilles Peterson and Eddie Piller since 1987, the label has played a pivotal role in Berry’s evolution as an artist—assisting his magnificent voyage from a budding artist to a chart-topping soul and psych-inspired sensation. With Heard Noises, the symbiotic relationship between Matt Berry and Acid Jazz Records raises the bar of modern music production, promising a stronger and profound sonic experience for listeners.
