Description
#rachikanayar #vinyl #vinylrecords
Amid the swirling maelstrom of soundscapes lies Brooklyn’s prodigious talent, Rachika Nayar, who with “Heaven Come Crashing,” her latest electronic opus, steps boldly from ethereal shadows to the pulsating heartbeat of maximalist, cinematic grandeur.
Nayar’s initial offering, “Our Hands Against the Dusk,” was a manifestation of restrained brilliance, where the ubiquitous guitar acted not merely as an instrument but as a canvas. This canvas, subjected to layers of digital artistry, metamorphosed into something unparalleled. The subsequent EP, fragments, was akin to an artist baring the sketches that would ultimately morph into a magnum opus – providing a window into the raw guitar craftsmanship that transpired into expansive sonic landscapes, tiptoeing through post-rock to the emotive strains of Midwestern emo.
But where Nayar’s debut was an exploration in shadow and subtlety, “Heaven Come Crashing” is a riot of colors, sounds, and emotions. There’s a clear deviation, not from her iconic guitar transmutations, but in her inspirational wellspring. This sophomore creation borrows from the heady adrenaline of 90s trance, the ambient nostalgia of early M83, and the emotive intensity of Yoko Kanno’s anime symphonies. Nayar paints a vibrant world – a fusion of clandestine warehouse raves at the cusp of dawn and the relentless pace of metropolitan freeways, all wrapped in an ambiance that’s simultaneously romantic and dangerously audacious.
Nayar’s take on melodrama is paradoxically affectionate and cautionary. It’s an indulgence, a raw outpouring, bereft of critique. As she elucidates, feelings, though profound, are rooted in societal structures often beyond our control or even understanding. Isn’t there an inherent risk, then, in wearing one’s heart on one’s sleeve?
“Heaven Come Crashing” is more than just an album; it is Rachika Nayar’s audacious foray into electronic maximalism, a journey from spectral horizons to technicolor dreams. As listeners, we’re invited not just to hear, but to feel, contemplate, and lose ourselves in this intricate soundscape.
