Description
#shipsket #vinyl #vinylrecords
Dorset’s very own Josh Griffiths reinvents the sound of music, stepping into the limelight under the alias of Ship Sket. Despite sticking to his roots in Dorset, his debut album titled “InitiatriX,” available since 2025, mirrors an auditory blueprint of the neighborhood of Manchester, which he now calls home. The album is an artistic synthesis, drawing upon overlapping waves of grime, drill, dubstep, and jungle, along with the reminiscent echo of other influential artists.
Shaping the musical landscape of Manchester in the twenty-first century, Ship Sket has been an integral part of the city’s buzzing music scene for well over seven years. This emerging talent worked meticulously to carve his unique musical niche while incorporating his deep-seated affection for quintessential UK styles such as dubstep, grime, drill, and rap into his debut album. His sound is fundamentally an emotional reflection of spirituality, the implication of fetish, and the underlying darkness masked by outward demeanor.
The undercurrent of Ship Sket’s “InitiatriX” album echoes experimental and surreal blends of music, like a distorted pop, scuba-dived drill, fuzzy musique concrète, and pure Dadaism. It’s a testament to his technical prowess when one listens to the touch of string interludes and the raw tone of a piano that drifts from squirming electronic notes to blossoms of distortion, found-sound and lo-fi beat sequences and at times, presents a palatial ensemble of all those elements simultaneously.
Listening to “InitiatriX,” one would unmistakably notice the raw essence that is reminiscent of musical pioneers like Aphex Twin and Burial, yet there’s a distinct touch of Ship Sket that sets him apart. The likes of “Vendetta’s Theme” and “Mimikyu,” for instance, translate into an eclectic mix of strapping drill beats wrapped in the severe layer of distortion with intense vocals narrating tales of spiders, solitude, and alchemy—the auditory elements blending effortlessly with the song’s grit-infused framework.
Undoubtedly, Ship Sket’s music greets listeners with an unusual yet entrancing rhythm that is a combination of coarse, sensual, and mesmerizing all at once. Perhaps this is what Josh Griffiths, or Ship Sket, as the world knows him, was referring to when he discussed his approach to music creation as divine. His work with the album proves that music creation is indeed a divine practice, a beautifully elaborate puzzle that exudes creative energy. In essence, it’s a testament to his dedicated involvement in the Manchester music scene, bringing in a fresh air of creativity with nuances of traditional UK styles.
