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#marklindsay #vinyl #vinylrecords
In the realm of cinema, music plays an almost mystical role of transmuting visual imagery into emotional language. An exception to the rule is the 1980 masterpiece, Shogun Assassin. With its stunning vinyl reissue by cinewax/Light-In-The Attic, it establishes the eternal relevance of the movie and its score. The movie is an iconic jidaigeki helmed by the ones and only Robert Houston and David Weisman, a protege of Andy Warhol. Nevertheless, the most memorable element of this classic film is arguably its score. The sound design, orchestrated by the talented Mark Lindsay and producer W. Michael Lewis, has etched its place in film lore. Lindsay previously gained recognition as the lead vocalist for Paul Revere and the Raiders, whereas W. Michael Lewis showcased his talents in production.
Interestingly, the infectious beats of the Shogun Assassin score made their way into the fabric of another culture – hip-hop. The iconic Wu-Tang Clan idolized and heavily sampled the soundtrack within the GZA’s 1995 debut solo album, Liquid Swords, branding it with the mark of immortality. “That was the night that everything changed,” some say, referring to how the synthesized sound became an integral part of hip-hop culture.
From a cinematic perspective, Shogun Assassin isn’t just a reputable slasher film. Instead, it amalgamates two formidable Japanese film creations. The masterpiece derives substance from scenes from Baby-cart at the River Styx (1972) and Sword of Vengeance. Houston and Weisman’s directional prowess brings to life a trans-national epic that sees Tomisaburo Wakayama revive the role of Ogami Ittō. Conspicuously missing from the credit role in the movie’s success was Shintaro Katsu, Wakayama’s brother and producer, who had gained national fame in the 1960s series Zatoichi.
Mark Lindsay, born in 1942, harbored no uncertain reputation as the voice of Paul Revere & the Raiders. His journey in music began at a tender age of 15 with local performances. However, his tenure as lead singer and saxophone player for the Raiders catapulted him to teen idol status in the 1960s, owing to his unique voice and dashing good looks. He further groundbreaking duality demonstrated in creative songwriting and competent production. With Lewis, they composed music for films including the 1982 documentary, The Killing of America.
Regarding the reissue of the Shogun Assassin, its success was a testament to the brilliant fusion of artistic souls. The collective effort of the individuals took cinema to a higher realm. Featuring the music genius of artists like W. Michael Lewis, Mark Lindsay, and the Wonderland Philharmonic, and utilizing the multi-textured beauty of music as a cinematic element, Shogun Assassin remains a cultural classic. The resounding mixture of genres, cultures, and art forms has etched the film and its score in the eternal records of artistic brilliance. In relation to other successful musical artists like Paul Revere and the Raiders and the Wu-Tang Clan, the impact of the Shogun Assassin is undeniable – enhancing the depth and reach of musical storytelling and solidifying its position in cinematic history. It embodies a groundbreaking work that recognizes no boundaries: a true testament to the depth and reach of music and the extent of its intertwining with our daily lives, in memorable and lasting ways.
